That Floating Excrement Was Way Too Meaningful! It's the TV Letdowns of the Past Year.

Looking back, we reflect on the television offerings of the past year, a handful of shows stand out not for their excellence, but for their notable failures. From awkward spin-offs to bafflingly poor documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Plagued with woeful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. For a moment, as the final season started, it seemed as if it had finally found its groove. Then came an installment centered on Seema’s natural deodorant. No wonder the creator declared this would be the last series. It ended on a bum note; the lingering shot of Miranda’s loo flooded with poo was just way too symbolic. Yet, fans undeniably had a hoot picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the smallest of this drama's problems. The subject of a very rare no-star review, it was difficult to know where to begin listing the problems. The laughably leaden writing? The mind-numbing glorification of wealth and consumption? The almost deliberate procession of cliches? Acting so poor they felt almost spiteful? Let’s just say “all of the above” and forget about this series again. Except, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this three-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be saved for the people who have had to endure proximity with this charming but dismissive narcissist.

The Iris Affair

Naturally we knew it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic.

The Meghan Markle Series

Given the extent to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s televised forays into twee homemaking as deliberate statements. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this documentary series opted not to say them. Rather, the experience was like consuming a sales catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart recruitment of talented younger comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series struggled painfully to find the right voice, lurching from strangely breezy, slightly mannered farce to inevitably, real-life horror. Complex? Arguably. A total mess? Absolutely.

Prime Target

We love the lead actor … but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? Nope! This international thriller about secret services spying on – and killing off – intellectuals frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for explicit escapades as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was way more examination of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Ian Russo
Ian Russo

Elara Vance is an interior design consultant with over a decade of experience specializing in contemporary home aesthetics and sustainable decor solutions.